Oblivion

I avoid Tom Cruise films on principle, but at this point HBO stays until GoT so why not.  Oh, yeah, because I saw this, it was called Moon, and it was better.  Partly because it didn't include Tom Cruise.

Oblivion
2013, 124 minutes, directed by Joseph Kosinski

Housebound

This film was billed as a midnighter, a suspense horror.  Kylie is sentenced to eight months home detention, back at her mother's home.  And while Kylie is all grown up now, her mom and her younger self feared the man in sheets, the boogie man lurking in the basement or creaking in the walls.

This is where I thought it would devolve into abject terror.  Instead, it turns out her parole officer is a part-time paranormal investigator, Kylie ain't afraid of no ghosts, and comedy will rise to balance the fright.  And it all works.  The film is really pretty good.

Housebound

2014, 107 minutes, directed by Gerard Johnstone

Welp (Cub)

Scouts, in the woods, but there's something out there...

There's something weird about society.  No, it's not the existence of a cub-scout-themed horror film.  It's the fact that, of all the deaths in the film, it's the dog's death that makes the audience uncomfortable.

Welp (Cub)
2014, 85 minutes, directed by Jonas Govaerts

From the Dark

Mark is a stupid person, a know-it-all jerk who swings from brazen misguided confidence to quivering slug in the face of danger.  Sarah is a little less stupid - she has a survival instinct - but has no ability to manage her one asset, the light that scares keeps the creatures at bay.  Come on, keep more than one torch, and use the matches to light something that will burn longer than the matchstick - the house, for example.  And just because its lights were knocked out, that doesn't mean the idling tractor with your lantern isn't a better escape route than stumbling through the moors.

I thought we were past heroes who make stupid decisions to advance the script.  Apparently not.

From the Dark

2014, 90 minutes, directed by Conor McMahon

Wyrmwood

The result of a four-year, self-funded shoot, Wyrmwood looks and feels like a classic ozploitation film, complete with badass zombies, a colorful cast, government baddies, and a kick-ass brother-sister duo in Barry and Brooke.  Both immune to the Zombie Infestation, the siblings take wildly different paths to find each other, acquiring friends and special skills on the way.

I can't wait for the sequel.

Wyrmwood

2014, 92 minutes, directed by Kiah Roache-Turner

The Hive

If you like zombie survival and Memento go see this film, but seriously try to learn as little else as possible going in.  You won't be disappointed.

The Hive

2014, 89 minutes, directed by David Yarovesky

"I love you Katie."

Død Snø 2 (Dead Snow 2: Red vs. Dead)

The Nazis have risen from the dead, killed your friends, taken your girl, taken your arm, and left you blamed for their crimes.  To make matter worse, the local doctors have sewn a zombie arm onto your stump, and it keeps killing people.

Who can you turn to when the Nazis advance on town?  Your Allies, of course - an American Zombie Squad and your own horde of undead Soviet soldiers.  It's time to kick some Nazi zombie ass.

Død Snø 2 (Dead Snow 2: Red vs. Dead)
2014, 100 minutes, directed by Tommy Wirkola

They filmed the Norwegian-language scenes twice, so the North American release will be in English.  Fantastic Fest showed the subtitled international release.

Alien Raiders

I almost saw the world premiere of this low-budget sci-fi action film back in 2008.  When I grabbed it off Showtime this summer, I had no recollection of seeing it before, but the first few scenes brought back memories.  I wish there were more films made like this - low budget, decent story, English, enough sci fi to make the action/horror stuff worthwhile.  It's a fun, if still predictable, ride.

Alien Raiders
2008, 85 minutes, directed by Ben Rock

Hunger Games: Catching Fire

Yet another mid-trilogy bridge film with no resolution of its own.  I yearn for the day when a screenwriter can again create a second film with an ending as good as the first.

Katniss is sent back into the games as a way to shut her up, but this time she doesn't need to fight to the bitter end for survival - for the revolution has begun.

Hunger Games: Catching Fire
2013,  146 minutes, directed by Francis Lawrence

Gravity

I drew the short stick for this one, the third and final secret screening of the fest.  Tucked into a broom closet theater, we were relatively certain this was Gravity up to the moment when Sandra Bullock appeared on screen.  (Alas, despite being a resident Austinite, she was filming in Canada and could only send a video greeting.)  What followed was perhaps the best use of 3D imagery I've seen.  The film felt much shorter than the 90 minutes it was billed, as it drives the whole time non-stop towards the inevitable conclusion, barely slowing for a smattering of character development.

Ryan Stone (Sandra Bullock) is a science specialist on the latest mission of the space shuttle Explorer, when disaster strikes: a Russian missile test creates Kessler-like high-speed debris, shredding the shuttle and anything else in its path.  Ryan and shuttle commander Matt Kowalski (George Clooney) are the only survivors, tethered together in space, with the only goal to return safely to Earth.

Gravity
2013, 91 minutes, directed by Alfonso Cuarón

Child of God

Fantastic Fest's legendary secret screenings provide opportunity to screen horrible films I'd never voluntarily walk in to see.  This time, though, it's James Franco's latest experiment, a biopic tale of a very sad, shy & mentally impaired man in the 1930s, descending into madness as the rural society of Sevier County, Tennessee, rejects him.

It's a really, really good film.  It really is.  But its also sad, creepy, and depressing, and speaks to our nation's - or species' - atrocious history of treating mental illness.  Much of the glory of this masterpiece has to be placed at the feet of Scott Haze, whose portrayal of Lester Ballard is outstanding.

Child of God
2013, 104 minutes, directed by James Franco

The Green Inferno

I wouldn't see a cannibal horror survival film voluntarily.  No, this was of course a classical Fantastic Fest AICN secret screening.  Activist college students travel to South America to stop the destruction of native tribes, not realizing exactly what it is they were protecting.  It wasn't as bad as I thought it would be; it was clearly made for its R rating, which means that while parts were suitably disgusting, other parts of it were kind of watered down and lame.  Still, I have no interest in ever seeing it or anything else by Eli Roth ever again.

The Green Inferno
2013, 103 minutes, directed by Eli Roth

The tribe where they filmed is in Chile, and are peaceful farmers.  They'd never seen an ice cube before and didn't understand the concept of video; Eli brought in a television and a projector and showed them Cannibal Horror, which they thought was a comedy.  It might seem like exploitation, but while they were filming a particularly gruesome scene, with heads on spikes and body bits on display, a few boats of Texas Christian missionaries sailed up and were shocked with horror.  Having Eli Roth convert the natives first almost makes it worth it.  (As payment for their acting and use of their village to film, they also built metal roofs on all the huts, replacing the leaky thatch roofs the tribe had before.)

Las Brujas de Zugarramurdi (a.k.a. Witching and Bitching)

This Spanish film really wants to stir up gender hatred.  It starts with a robbery: a group of street actors - and one young boy - steal a huge bag of old gold from a local store.  As they flee, their motivations emerge: alimony, custody, disdain.  All they need to do is make it across the border to France and they can start anew, but first they must pass through Zugarramurdi, a town known as the seat of witchcraft, occupied entirely by women with a deep-seated hatred for men.  Seems simple enough, right?

A lot of action doesn't make up for a weak plot, but it does make for an engaging midnight film.  It was fine, stupid in places, but I have no interest in seeing it again.

Las Brujas de Zugarramurdi (a.k.a. Witching and Bitching)
2013, 115 minutes, directed by Alex de la Iglesia

It's not really a comedy, but I needed something to tag it with to convey the comical nature of the plot.

Afflicted

Derek and Cliff set out on a year trip around the world, the fulfillment of a long-time dream and a chance for Derek to push aside his life-threatening medical problems.  They have everything set up to document and share their adventures with the internet and the world.  Things quickly go awry when Derek contracts a strange illness, but the filming continues, as he becomes more and more afflicted...

Holy hell, this was the first FF film that has truly come from nowhere and smacked me with awesome.  Shot on a very low budget on Canon 5Ds, with the writers and directors as the principle cast, they showed what an excellent result young talent can achieve with a story and a vision.

Afflicted
2013, 85 minutes, directed by Derek Lee and Cliff Prowse

Impact

When this made-for-TV movie started a few nights ago, I had no idea Syfy would drag it out into a four-hour sap fest.  In this epic tale, an asteroid - a fragment of a brown dwarf star - has crashed into the moon, causing it to veer and swing towards Earth.  A team of scientists rush to find a solution before the moon impacts our planet, while meanwhile their families suffer the effects of the star's gravity and magnetism.

With a few adjustments and a different ending, I think I saw this in Melancholia a few years ago.  And I hated that film.  And this one was almost worse.

Impact
2008, 180 minutes, directed by Mike Rohl

You're Next

I missed this at Fantastic Fest a few years ago - it showed once and then disappeared from the schedule, one of the legendary screenings that got away.  Now it's back in all its glory.  A family gathers for reasons both complicated and unknown, while masked terror lurks.  When the horrors unleash, a family guest reveals her true nature.  It's pretty damn awesome.

You're Next
2011, 95 minutes, directed by Adam Wingard

Resident Evil: Retribution

OMG there's so much explanation to establish backstory and bring in the characters.  Alice used to be a genetically-engineered killing machine, one of Umbrella corporation's tools to combat the T-virus infestation that has destroyed the world.  Or maybe she was just another experiment as they perfected the virus, the world be damned anyway.  But then she lost her powers and was just a woman who can do mid-air somersaults while shooting weapons in both hands.

She's met a lot of people along the way, many of which she's cared for, a subset of which make appearances in this film (though some as clones, not the original people, which is a convenient way to bring back a few who died).   In this film, she'll meet a few more, deal with some former friends turned enemies, and dutifully advance the plot along to the next sequel.  It was very perfunctory, and in that, not interesting.  My only other notes on the film are:

• Undead Russians can't shoot, even at point blank range
• Stargrazing as an awesome name for a craft services company

And with that, I guess I'll wait for the next sequel to be churned out sometime in 2014.

Resident Evil: Retribution
2012, 95 minutes, directed by Paul W. S. Anderson

Black Out

In this Netherlands crime comedy-drama, Jos:

• wakes to find a unknown corpse in his bed.
• discovers he stole and lost 20 kilos of cocaine, and both "owners" want it back.
• has a hole where the last two days of memories should be.

Oh, and he's getting married tomorrow.

He thought he'd left this life behind a decade ago, but somehow he's been pulled back in.  An ensemble cast of criminals interact to weave the story of one important day in Jos' life.  It's not remotely new or anything - it's been more than a decade since Lock, Stock, and Two Smoking Barrels after all, but I still enjoy the hell out of the genre.

Black Out
2012, 89 minutes, directed by Arne Toonen

Citadel

Citadel is a story of urban and mental decay, and the struggle to fight for order and justice.  Tommy, a young father, is stricken with agoraphobia after witnessing his wife's brutal assault at the hands of a mysterious gang of street youth.  Held to the area by his wife's coma, he's certain that the gang plans to return for his son.  Can he escape, or is the option to face them in their stronghold, the abandoned tower block known as the Citadel?

I felt many of the decisions made in this script were harsh and brutal, yet exactly right for the dystopic wasteland of the urban renewal project and the devastated mental state of the main character.  It's not a particularly scary film, but it does a very good job of conveying Tommy's absolute terror, starting with simple things like stepping outside, but ramping up to far, far worse.

Citadel
2012, 84 minutes, directed by Ciaran Foy

Modus Anomoli

I really got angry with the protagonist of this outdoor survival horror. Carrying around a flashlight when being hunted outdoors falls in my stupidpeople category. There's a full moon. Do you have no night vision?

In the end, though, they explain everything, albeit in a way that leaves me baffled for an hour until it clicks. If you start to watch this definitely see it through.

Modus Anomoli
2012, 87 minutes, directed by Joko Anwar