Shelter a.k.a. 6 Souls

Adam, a young psychiatric patient with multiple personality disorder, seems to be exhibiting personalities of those who actually lived - all murder victims.  As his doctor, Cara Harding, digs into his pasts, it starts to appear less psychiatric and more supernatural...

This film was made in 2008, released in Japan in 2010 as Shelter, then released in the U.S. in 2013 as 6 Souls.  Apparently it was considered so bad that a name change was warranted before release in its home country.  I agree.

Shelter a.k.a. 6 Souls
2010, 112 minutes, directed by Måns Mårlind and Björn Stein

Kick-Ass 2

I love the dichotomy of the hit-them-with-sticks heroes in spandex and the blood-and-guts of Hit Girl.  It's like they don't belong in the same film, yet here they are, playing out in unison.  Where is the next sequel?

Kick-Ass 2
2013, 103 minutes, directed by Jeff Wadlow

Blue Ruin

Revenge can be sweet.  Revenge can be cold.  Revenge can be tasty.  In the case of Blue Ruin, revenge is senseless.  Dwight is a ruined man, devastated by violence against his family, wasting away his life as a drifter.  When the killer is released from prison, Dwight embarks on a homecoming of sorts for revenge.  Things immediately go awry when he neglects to consider that even the killer, too, has a family...

This film exemplarizes the pointlessness of revenge.  I appreciated it.

Blue Ruin
2013, 92 minutes, directed by Jeremy Saulnier

Escape from Tomorrow

At this point, Escape from Tomorrow is better known for its surreptitious production than its story.  Filmed in secret at Walt Disney World in Florida, the film is billed as a parody of the make-believe story Disney wants its customers to see.

But then, there's the film itself.  Despite being fired that morning, Jim wants to have one good final day at the parks with his family.  Instead, he and his wife bicker and argue, and they take turns with their son and daughter separately, trying to keep either of them happy.  But then there's the two Parisian girls that Jim follows.  I don't think this was supposed to be an existential journey, so I keep trying to piece the parts together to make an arcing plot.  Exactly how are the scientists under the Spaceship Earth related to the aging witch with her mesmerizing necklace?  Was Jim selected as a child for this ultimate fate, and has his son now been selected to share the fate as well?

Escape from Tomorrow
2013, 90 minutes, directed by Randy Moore

The Wolverine

I've mostly taken a break from film this summer.  While some released have piqued my interest, there have been more important things to do with my time, or I haven't felt like going out.  Last night, though, I was free, and so I continued a series I've been following from the start.

The Wolverine is the latest film in the X-Men movie franchise, which has previously consisted of X-Men (heavily featuring Wolverine), X2 (half a Wolverine origin story), X-Men: The Last Stand (a horrible film focused on Wolverine and Phoenix), X-Men Origins: Wolverine (which burns 150 years of origins in an opening montage, then focuses on events a few years before the first film), and X-Men First Class (which only features a Wolverine cameo).

Okay, the Wolverine story is good.  But really?  This time, events take place after those of The Last Stand.  Logan has isolated himself as a virtual hermit in Alaska, promising himself (and his haunting memories of Jean Grey) to not hurt anyone ever again.  But when some stupid hunters kill a bear, he gets angry and goes into town to pick a fight.   He's stopped from killing them by Yukio, a mutant who can see their imminent death and who was tasked to find Logan.  She takes him to Japan, where he visits Yashida, the CEO of the largest corporation in Asia.  From a flashback, we learn that Yashida and Logan survived the destruction of Nagasaki, with Logan shielding the Japanese officer in a well.

Yashida is dying and says he can repay Logan for the gift of life so many years before: Yashida can transfer Logan's regeneration to himself, saving his life, and allowing Logan the relief of aging and eventual death.  Logan rejects the offer, and Yashida dies that night.  So begins a story of Japanese family drama and political intrigue, as Logan, mysteriously without his regeneration power, decides to risk everything to save Mariko, Yashida's granddaughter, whom the yakuza for some reason want to capture.

Other than him being a nice guy, or wanting some of her (which he gets), this sudden dedication never gets explained.  Indeed, the plot is driven and made "interesting" by several convoluted plot twists, unexplained motivations, and sudden allegiance shifts.  In the end Logan survives of course, though his claws are now their original bone (having been cut off, only the bone regrew).  He gives Mariko one last kiss, then departs with Yukio.  During the closing credits, there's a scene set two years later in which Logan meets Magneto and - back from the dead - Professor Xavier, who explain that there's a serious threat and he's needed again.

I can live with the plots of bridge films.  I know what they're for.  But in this case the plot is just bad, as is, sadly, some of the acting.  Plus, while the movie may have been filmed in 2D, the computer effects and camera shots were made for 3D, and some of the cinematography was therefore "wonky" on a 2D screen.  Overall, there was little to like about the story.

The Wolverine
 2013, 126 minutes, directed by James Mangold

You're Next

I missed this at Fantastic Fest a few years ago - it showed once and then disappeared from the schedule, one of the legendary screenings that got away.  Now it's back in all its glory.  A family gathers for reasons both complicated and unknown, while masked terror lurks.  When the horrors unleash, a family guest reveals her true nature.  It's pretty damn awesome.

You're Next
2011, 95 minutes, directed by Adam Wingard

Burma

Seven years after last abandoning his family, Christian's father shows up unexpectedly on the eve of a family weekend. None of them - Christian, his brother, or sister - particularly welcome their father's arrival, but tepidly accept him to hear his explanation for his disappearance.

A dialog-driven drama, the film explores the bonds of family and the impact when those are torn apart.

Burma
2013, 81 minutes, directed by Carlos Puga