Rise of the Zombies

I really thought this made-for-tv zombie film was going somewhere.  There were lots of scientists, making real progress learning about the disease, and maybe they'd even explore bringing the zombies back from the dead.  Maybe they were even aiming for some sort of God-motive for retribution and salvation.

But no, they just wanted to kill off all those scientists, and leave the few survivors in limbo as the story ends with limited solutions to the apocalypse.  This wasn't worth staying awake to see the end.

Rise of the Zombies
2012, 89 minutes, directed by Nick Lyon

I missed the start of the film.  Maybe it was awesome.  What I saw was Danny Trejo, on the cover the DVD, die less than a minute after I turned this on.  I guess they couldn't afford him after that.

Child of God

Fantastic Fest's legendary secret screenings provide opportunity to screen horrible films I'd never voluntarily walk in to see.  This time, though, it's James Franco's latest experiment, a biopic tale of a very sad, shy & mentally impaired man in the 1930s, descending into madness as the rural society of Sevier County, Tennessee, rejects him.

It's a really, really good film.  It really is.  But its also sad, creepy, and depressing, and speaks to our nation's - or species' - atrocious history of treating mental illness.  Much of the glory of this masterpiece has to be placed at the feet of Scott Haze, whose portrayal of Lester Ballard is outstanding.

Child of God
2013, 104 minutes, directed by James Franco

The Green Inferno

I wouldn't see a cannibal horror survival film voluntarily.  No, this was of course a classical Fantastic Fest AICN secret screening.  Activist college students travel to South America to stop the destruction of native tribes, not realizing exactly what it is they were protecting.  It wasn't as bad as I thought it would be; it was clearly made for its R rating, which means that while parts were suitably disgusting, other parts of it were kind of watered down and lame.  Still, I have no interest in ever seeing it or anything else by Eli Roth ever again.

The Green Inferno
2013, 103 minutes, directed by Eli Roth

The tribe where they filmed is in Chile, and are peaceful farmers.  They'd never seen an ice cube before and didn't understand the concept of video; Eli brought in a television and a projector and showed them Cannibal Horror, which they thought was a comedy.  It might seem like exploitation, but while they were filming a particularly gruesome scene, with heads on spikes and body bits on display, a few boats of Texas Christian missionaries sailed up and were shocked with horror.  Having Eli Roth convert the natives first almost makes it worth it.  (As payment for their acting and use of their village to film, they also built metal roofs on all the huts, replacing the leaky thatch roofs the tribe had before.)

Milo

Ken has stress issues: an asshole boss, an overbearing mother with a young virile husband, a deadbeat dad, and a wife who desperately wants a family. All the stress leaves him with constant GI issues. Compounding these issues are the bloodthirsty parasite living in Ken's colon that comes out for revenge...

This is the best film I've seen so far this SXSW. I could easily see this become the Army of Darkness of the current college generation.

Milo
2013, 85 minutes, directed by Jacob Vaughan