Usually, when I see a science fiction film that bothers to explain artificial gravity, I presume they want to pursue some sense of scientific rigor, at least for the mundane things not necessary to advance the "fiction" portion of the science fiction plot. This was alas my downfall with Mission to Mars, for I tried to evaluate it as a good film, one that would be consistent in its scientific quality. I was quite dismayed, then, when they let someone survive down to 10% atmospheric pressure - then back up again quickly without getting the bends. Then there was the free scene in orbit, and I was ready to write the film off as hopeless.
But then it struck me; the gravity answer was the anomaly. This is actually a bad film where acting, storyline, and accuracy were tossed in favor of vision. Vision, that is, of the directory or studio execs or whoever cobbled this crap story together. Recognizing that it was low-grade cinema allowed me to appreciate it for what it is: filler for my Netflix queue. And as that it was all right.
Mission to Mars
2000, 113 minutes, directed by Brian De Palma
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