Deja Vu

This film starring Denzel Washington starts as a straight-forward police procedural, investigating a terrorist attack that destroys a New Orleans ferry carrying returning sailors and their families.

Then the time viewing/interference starts and it gets weird.  Couple that with an ending of imperfect knowledge and I hesitate to like it as much as I think I should.

Deja Vu
2006, 126 minutes, directed by Tony Scott

Hugo

I read a few reviews of this last week - and I agree with them all.  It deliberately stays very real where it could become farcical.  Yes, the inspector is rather out of place in this otherwise grounded story, but it's not to the point of distracting from enjoyment of the story.

Hugo in 3D
2011, 126 minutes, directed by Martin Scorcese

Terminator: Salvation

They've run out of ways to exploit their "go back in time to save the future" schtick, so at this point they've just turned this franchise into post-apocalyptic warfare with an abundance of references to story lines we're assumed to know.  It could be a Resident Evil script if they'd just replace robots with demons - totally generic.

Terminator: Salvation
2009, 115 minutes, directed by McG

Collateral

My parents were watching this when I arrived at their house this evening, so I admit I missed the first 45 minutes or so.  But the rest of it was good - at least a good performance by Jamie Foxx - and the story was sufficiently interesting to stick around in the living room and see it to the end.  Foxx plays Max, a cab driver who is tricked and coerced into chauffeuring around Vincent, a hit man played by Tom Cruise.  Through threatened and plenty of actual violence, Vincent forces Max to help him with a series of murders.  Tension escalates as Max tries different angles of escape, until he learns that a woman he likes is the target of Vincent's next hit.

Collateral
2004, 120 minutes, directed by Michael Mann

The Rum Diaries

I tried to read the book once, but Hunter S. Thompson's writing style wreaks havoc with my reading, my eyes flitting around from line to line at random, piecing it all together in my mind a few moments later.  I just can't make that work when his words flitter about with the same randomness.

So while watching this film - what I believe to be a true-to-the-book portrayal of his story - I was never sure how much of this is based on real events and how much is pure story.  The resulting confusion left me puzzled by the abrupt ending and text-on-screen epilogue.  I would have liked to like it, but I'm too confused.

The Run Diaries
2011, 120 minutes, directed by Bruce Robinson

Comic-Con Episode Four: A Fan's Hope

I don't usually see documentaries, especially at Fantastic Fest, but as I've probably mentioned before I like Morgan Spurlock.  As it turns out, though, there's very little Morgan Spurlock in this film, as he really steps back and lets the small set of real-life characters he's chosen to follow tell their own stories of Comic Con.

2011, 88 minutes, directed by Morgan Spurlock

You Said What?

Films about making films can be total shit.  But in Norway they work.  Glenn, recently single after he catches his girlfriend cheating on him, is talked into staging a fake film audition in order to meet women.  But when he meets one he likes and tells her she has the part - well now he has to actually make the film...

You Said What?
2011, 107 minutes, directed by Patrik Syversen and Nini Bull Robsahm